Good morning boys and girls and welcome back to Wednesdays With Andrew #wwa. Buckle in, you're in for a bumpy ride. As always, feel free to read along as you listen to below's playlist, and share, like, comment, whatever. I am open to requests! So if there's something you wanna hear in the weeks to come, let me know.
Web Player link: https://play.spotify.com/user/agood1no/playlist/6QDxxYbLWo5NyheCAObKu8
The Specials – Ghost Town
We kick off this week with an infectious anthem from English
ska band The Specials. Fronted by founder and primary songwriter Jerry Dammers,
The Specials are credited for leading the ska revival and 2 Tone scene in the
UK during the late 70s and early 80s. Ghost Town was originally released as a
single in 1981, and spent three weeks at number one in the UK’s Top 40 list.
You may also remember this haunting melody and chill backbeat being featured in
the movie Shaun of the Dead.
Screeching Weasel – Stupid
Girl
Stupid Girl is off Chicago-based band Screeching Weasel’s 8th
studio album, Bark Like a Dog. Screeching
Weasel, through a career that spans decades and has produced 13 full-length
albums, remains highly influential, often being cited for ‘muse-like’ qualities
by commercially and critically popular artists. This track highlights their
tendency to focus lyrics on girls and love, and get people hooked on that
Ramones-eque style of glaze-y pop punk.
Good Riddance – Static
Up next we have another longstanding member of the Fat Wreck
Chords family, Good Riddance. Static is off their 1996 sophomore release, A Comprehensive Guide to Moderne Rebellion. Good
Riddance quickly rose to prominence during the 90s through their commitment to
fast rhythms, hooky melodies and political and social commentary.
The Kinks – (Wish I Could
Fly Like) Superman
Formed in London in the early 60s by brothers Dave and Ray
Davies, The Kinks were one of the most influential bands of its time, and you
can still hear their impact on today’s pop, rock and punk sounds. For their own
part, the Davies brothers incorporated many different styles they were exposed
to at a young age, ranging from dance hall to rhythm and blues to jazz to good
ole rock n roll. (Wish I Could Fly Like) Superman comes off their 1979 album Low Budget, and the disco feel of the
song was The Kinks’ sarcastic response to their label’s insistence on recording
a “club-friendly” album.
Capdown – Ska Wars
This next song is a punch to the face, showcasing the
energy, rage and musical diversity that encapsulates British skacore band Capdown.
Ska Wars is from their debut album, Civil
Disobedients, released in 2000 through Household Name Records. Capdown is
as well known for blending genres (influences ranging from punk to reggae to
metal to drum+bass to hardcore) as they are for their aggressive tour schedule;
reportedly, they played almost 250 live shows a year in the early 2000s.
MxPx – Weak
This is MxPx’s track Weak, off their 1994 debut album Pokinatcha. Released through Christian
rock label Tooth & Nail Records, this showcases MxPx’s earlier, rawer sound.
Although they eventually found their niche writing more melodic, pop-driven
songs, Pokinatcha draws more from
earlier hardcore and punk influences, a la Black Flag, Descendents and Minor
Threat.
The Dictators – Baby
Let’s Twist
Baby Let’s Twist comes from Rock n Roll Hall of Famers and
proto-punk legends The Dictators. The song is from their third album, Bloodbrothers, which was hailed positively
by critics as a turning point for the band, focused on a more mature and
refined sound. Like their previous albums, Bloodbrothers
features ‘secret weapon’ and band mascot Handsome Dick Manitoba on lead vocals.
If you ever find yourself in East Village, go say hey to him at the bar he
owns, Manitoba’s; I hear he’s often
around and fun to chat with.
Teddybears ft. Iggy
Pop - Punkrocker
If you read my first blog, you may remember me issuing a
warning about playing Iggy Pop in excess…this particular manifestation features
Mr. Iguana Pop as guest lead vocalist for Swedish electronic band Teddybears. Aptly
named Punkrocker, this song is off their 2006 album Soft Machine, released as a collaboration of Big Beat and Columbia
records. This whole album is great, and I definitely recommend taking a listen
if you get the chance. Originally a grindcore/metal band, Teddybears is now
best known for their eclectic mix of musical genres, and for wearing giant bear
masks, like all the time.
The Vandals – Ape
Shall Never Kill Ape
This next track is The Vandals’ Ape Shall Never Kill Ape,
off their fourth studio album Live, Fast
Diarrhea. A huge driving force of the 90s punk revival scene, Huntington
Beach’s The Vandals preferred to use their music as a vehicle for comedy and
sarcasm, as opposed to the more serious political and social stances their
contemporaries were staking out.
Parquet Courts –
Stoned and Starving
We are now transported to the streets of Queens, aimlessly
(and unsuccessfully) looking for the right food for the mood, with this stoner
saga by New York’s Parquet Courts. Stoned
and Starving is off their 2nd full length, Light Up Gold, released through frontman Andrew Savage’s record
label Dull Tools. Light Up Gold proved to be a breakout success, garnering hugely
positive reviews and propelling Parquet Courts’ brand of musical stream of
consciousness into the national spotlight.
New York Dolls -
Trash
We end this week’s episode with another early influencer on
the American punk scene, the New York Dolls. Trash comes off of the band’s 1973
eponymous album, released on Mercury Records. Although the New York Dolls had attracted
a huge following in lower Manhattan, it took them a few years to land a record deal;
labels weren’t eager to take on what they viewed as a huge liability in the
cross-dressing, vulgar-laden Dolls. Mercury finally decided to take a bet on
them, but ended up losing - although the album was a critical success, and
helped pave the way for many bands to come, it was a commercial flop, selling
only about 100,000 copies.
Hope you enjoyed the playlist! Share with friends, make requests, let me know what you think, etc. Until next week...